{"id":1624,"date":"2010-03-19T18:53:13","date_gmt":"2010-03-20T01:53:13","guid":{"rendered":"http:\/\/earbirding.com\/blog\/?p=1624"},"modified":"2016-11-25T08:30:36","modified_gmt":"2016-11-25T14:30:36","slug":"editing-sounds-in-raven-lite","status":"publish","type":"post","link":"https:\/\/earbirding.com\/blog\/archives\/1624","title":{"rendered":"Editing Sounds in Raven Lite"},"content":{"rendered":"

Once you\u2019ve come back from the field with a card full of new audio, renamed the files, and backed everything up, you may want to think about editing your sounds.\u00a0 While having untouched originals is useful if you\u2019re doing scientific analyses, editing portions of the sound for posting on the internet, sending to friends, using for quizzes, etc. can make it easier to get your sound out there and heard by others.<\/p>\n

Pretty much all the tracks used on commercial CDs of bird sounds have been edited to one degree or another, often quite heavily.\u00a0 Just because the recordings on, say, the Stokes Field Guide To Bird Songs<\/em> sound like they were recorded in a sound room with no background noise doesn\u2019t mean they were; quite likely most of them were the target of skillful and careful editing to bring out the target species in the recording.<\/p>\n

I use two different programs to edit sounds.\u00a0 The first is Raven Lite<\/a>, available free from the Macaulay Library.\u00a0 Though somewhat limited in its abilities, it does let you do some basic editing that, for many, will be sufficient for their sound editing needs.\u00a0 Detailed below is my normal process for editing recordings in Raven Lite.<\/p>\n

Disclaimer: to best hear the results of the methods below I recommend using headphones when listening to the examples.\u00a0 Low frequency sounds are hard to hear over laptop speakers and small external speakers, so if you don’t hear a difference in the examples below that may be the problem.<\/p><\/blockquote>\n

Step One: Crop <\/strong><\/h4>\n

First off I load the original recording.\u00a0 The first step is to select the part of the sound you want to edit…usually for me this involves cutting out any talking I did into the mic at the end of the cut, and sometime some severe handling noise from the beginning.\u00a0 Quite often the loaded sound is longer than the one minute maximum that Raven imposes on files\u2026longer than that and you can\u2019t edit it, and you have to save it in one-minute chunks.\u00a0 There are two ways to deal with this:<\/p>\n

    \n
  1. select a one minute piece that you want to have as the final edited sound and \u201csave selection as\u201d for your new file that you will edit, OR<\/li>\n
  2. copy one minute chunks and paste them into a completely new file, one after the other.<\/li>\n<\/ol>\n

    Using the second method you can get up to about three minutes of your recording into an editable file before Raven runs out of memory.\u00a0 Once you get over those amounts you have to create two or more files to edit and then paste them together using another program (I recommend Audacity<\/a>).<\/p>\n

    Step Two: Filter<\/strong><\/h4>\n

    Once I have a manageable section of audio to edit, I filter out low frequency rumble (discussed in the “extra credit” box at the bottom of the Noise page<\/a>), which is present in all recordings below 300-400 Hz or so.\u00a0 It’s more noticeable if you are recording in noisy conditions, and less noticeable if you are recording a very loud bird and the gain was turned way down.<\/p>\n

    \"unfiltered1\"<\/a>
    White-crested Spadebill, Cristalino Jungle Lodge, Brazil. Unfiltered.<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/unfiltered1_mp3.mp3<\/a><\/audio>\n
    \"filtered1\"<\/a>
    White-crested Spadebill, Cristalino Jungle Lodge, Brazil. Filtered below 350 Hz.<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/filtered2_mp3.mp3<\/a><\/audio>\n

    Filtering out this low frequency band of noise can have varying consequences.\u00a0 If you were recording in a quiet environment it typically makes the target signal easier to hear and the whole recording more pleasant to listen to.\u00a0 However, if you were recording somewhere with increased background noise, such as traffic, it has the effect of making any noise that you didn\u2019t filter out\u00a0 (i.e., the low frequency noise above what you filtered out) sound tinnier and unpleasant.\u00a0 When this is the case, there are several options.\u00a0 First, you can filter out a larger frequency band than normal, but this often results in a \u201chissy\u201d tone to the whole recording, as in the following example:<\/p>\n

    \"overfiltered2\"<\/a>
    Golden-crowned Spadebill, Cristalino Jungle Lodge, Brazil. This recording has been too agressively filtered...note the high-pitched hissy sound of the recording.<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/overfiltered2_mp3.mp3<\/a><\/audio>\n

    On the other extreme, you can actually filter less <\/em>of the low frequency band than you would normally; quite often the whole recording will sound better<\/em> with less filtered in such cases than with more.\u00a0 (In an upcoming post I’ll discuss advanced techniques for filtering out low-frequency noise, including frequency replacement.)<\/p>\n

    To remove the low frequency band in Raven Lite, select the frequency band you want to filter out (vertically), and then expand it horizontally to cover the entire time of the recording.\u00a0 Then go to edit, filter, filter out selection.\u00a0 This method is also useful if there is an especially loud band of insect noise in the recording, a common problem when recording in the tropics.\u00a0 You have to be especially careful to make sure you don\u2019t filter out any of the target signal in these cases, though, since insect sounds are higher frequency and often overlap the bird sound you were recording.<\/p>\n

    Step Three: Amplify<\/strong><\/h4>\n

    After filtering, the next step I usually take is amplifying the recording.\u00a0 The amount I amplify is also a bit of a balancing act.\u00a0 When the target signal is quite loud I amplify little or none, whereas when the bird noise is very quiet I tend to amplify more.<\/p>\n

    \"unamplified\"<\/a>
    Plain-tailed Wren from Peru, unamplified<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/unamplified_mp3.mp3<\/a><\/audio>\n

    The key is not to amplify so much that the recording clips (like in the example below), but to a level approaching that.\u00a0 I tend not to amplify more than four or five times the current levels as this amplifies the background hiss as well, and makes the whole recording sound unpleasant.\u00a0 Experiment a bit with the amplification factor and find the result that sounds best to you.<\/p>\n

    \"tooamplified\"<\/a>
    Plain-tailed Wren from Peru, overamplified. Notice how the sound clips at the top and the bottom, and how the sound is distorted.<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/over_amplified_mp3.mp3<\/a><\/audio>\n
    \"amplified\"<\/a>
    Plain-tailed Wren from Peru, amplified 1.7 times. Note how the peaks come close to clipping, but don't actually max out.<\/figcaption><\/figure>\nhttp:\/\/earbirding.com\/blog\/wp-content\/uploads\/2010\/03\/filtered_mp31.mp3<\/a><\/audio>\n

    Note that to deamplify you don\u2019t use negative numbers, but fractions\u2026i.e., a 0.9 multiplier deamplifies to 90% of the original level.<\/p>\n

    On a side note, amplification is one of the few things for which I like Raven Lite better than Audition.\u00a0 With Raven Lite you can pick a multiple amount to amplify by, whereas in Audition you amplify by dB.\u00a0 I find it easier to visualize how amplifying by a multiple will affect the recording, rather than using a more esoteric measurement like decibels.<\/p>\n

    Extra credit: the images above are waveforms, a graph showing sound amplitude versus time.\u00a0 The higher the peaks on the waveform, the louder the sound.\u00a0 An ideal recording will have the highest peaks possible for the target signal without them maxing, and also having the lowest possible amplitude during the non target signal portions of the recording.<\/p><\/blockquote>\n

    Step Four: Clean-up
    \n<\/strong><\/h4>\n

    Typically my final step when editing a sound in Raven Lite is what I call \u201cclean-up\u201d work: removing handling noise, talking in the background, the sounds of walking, car horns, etc.\u00a0 \u00a0 Note: I personally far prefer Audition over Raven Lite for this step, but back before I started using Audition, here is what I used to do.<\/p>\n

    Since in Raven Lite you can only cut and paste timed pieces of the recording covering the entire frequency range, you have to replace the whole time span of the sound that contains the unwanted noise.\u00a0 To maintain natural intervals between the bird sounds themselves, I select a piece of sound with no extraneous noise that is the same length of time and paste over the section with the unwanted noise.<\/p>\n

    At the very end I will often paste a little bit of empty sound at the beginning of the cut to give a bit of lead time until the first vocalization, and sometimes a bit at the end to make the whole recording more \u201csymmetrical\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Once you\u2019ve come back from the field with a card full of new audio, renamed the files, and backed everything up, you may want to think about editing your sounds. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[113,20,122,121,120],"tags":[],"class_list":["post-1624","post","type-post","status-publish","format-standard","hentry","category-equipment","category-recording","category-software","category-sound-editing","category-sound-files"],"_links":{"self":[{"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/posts\/1624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/comments?post=1624"}],"version-history":[{"count":82,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/posts\/1624\/revisions"}],"predecessor-version":[{"id":5074,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/posts\/1624\/revisions\/5074"}],"wp:attachment":[{"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/media?parent=1624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/categories?post=1624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/earbirding.com\/blog\/wp-json\/wp\/v2\/tags?post=1624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}